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TheDesigners
Stagedesigningshouldbeaddressedtotheeyeofthemind.
ROBERTEDMIONDJONES(1887-1954)
Accordingtoanoldtheatricallegend,asmall,second-ratetheatricalcompanyoncetouredIrelandwithaproductionofChristopherMarlowesTheTragicalHistoryofDoctorFaustus.ThescriptinvolvesamedievalscholarwhosellshissoultoSatanfortwenty-fouryearsofpowerandearthlydelights.InthelastscenetimehasrunoutforFaustus,andthejawsofHellgapeopenbeforehim.Inasmalltownoneevening,theplaylimpedtoitsconclusionastheactorplayingFaustusthunderedthroughhislastspeech:
Ah,Faustus,
Nowhastthoubutonebarehourtolive.
Andthenmustbedamnedperpetually!
andsoontotheclosinglines:
MyGod,myGod,looknotsofierceonme!
Addersandserpents,letmebreatheawhile!
Uglyhell,gapenot!Comenot,Lucifer!
I’llburnmybooks!Ah,Mephistophilis!
Duringthelastfourlines,Faustusstartedtosinkbelowthestagesoot,bymeansofanelevator-liketrap,intoredlightssuggestingHell.Unfortunatelythetrapstuckaboutthreefeetdown,leavingFaustussuppertorsoabovestagelevelwithnoplacetohide.Theaudiencegreetedthisdevelopmentwithstunnedsilence,Thenabeeryvoicefromthetopbalconyroaredout,”Hallelujah,boys,Hell’sfull!”
Anyoneworkinginthetheatrewillamassastorehouseofsuchanecdotesaboutstagedoorsnotopening,mustachesdroppingoffcostumessplitting,scenerycollapsing,curtainsrefusingtoopenorclose,lightingorsoundeffectscomingatthewrongtime,propertiesmissing,andthelike.Thesemomentsmayoffergreathilarityinretrospect,buttheyseldomamusethoseinvolved.Thecastseeshundredsofhoursofworkdestroyed,andaudiencesfeeluncomfortableasthecompanylosescontrolofitsproduction.Everyoneanticipatesacertainnumberofaccidentsduringrehearsals,whenthepeopleresponsiblecanremedythem,butthelivetheatreallowsfornoout-takes.
Suchac
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