《傲慢与偏见》中女性形象及婚姻观探析.doc

大连理工大学毕业论文（设计）格式规范 《傲慢与偏见》中女性形象及婚姻观探析 - PAGE II - - PAGE I - 《傲慢与偏见》中女性形象及婚姻观探析 An analysis of the Female Image and Marriage in Pride and Prejudice 摘 要 《傲慢与偏见》，这部在文学史上具有重要地位的小说，简·奥斯丁以其细腻的文笔刻画了令人印象深刻的女性形象，描写了四起具有现实意义的姻缘。其中有独立勇敢的伊丽莎白；善解人意的简·贝内特；明智理性的夏洛特·卢卡斯以及愚蠢荒谬的莉迪亚。四起婚姻也形成鲜明的对比：伊丽莎白和简的婚姻都以爱情为基础；夏洛特的婚姻是建立在现实的物质财富之上；而莉迪亚的婚姻纯粹是一个笑话，既无爱情、也无财富，只建立在肤浅的容貌和情欲之上。本文通过对以上四个具有代表性的女性及其各自的婚姻进行分析，从而达到对女性形象及婚姻观的探讨。简·奥斯丁凭借先进的女性意识，为我们描绘了十八世纪末十九世纪初英国乡绅的日常生活。作为新时代女性的我们仍然能从这部经典小说所传达的女性思想得到启示。 关键词：《傲慢与偏见》；女性形象；婚姻观 《傲慢与偏见》中女性形象及婚姻观探析 - PAGE III - An analysis of the Female Image and Marriage in Pride and Prejudice Abstract Pride and Prejudice, an enduring novel in the history of literature, Jane Austen depicts impressive female images with her exquisite writing style, and describes four realistic marriage relationships. Among them, the representative female images are Elizabeth, who is independent and brave; Jane Bennett, who is considerate; Charlotte Lucas, who is wise and rational, and Lydia, who is foolish and absurd. Four marriages are also in sharp contrast: Elizabeth and Janes marriages are based on love; Charlottes marriage is based on real material wealth; and Lydias marriage is purely a joke, no love, no wealth, only superficial appearance and lust. Through the analysis of the above four representative women and their respective marriages, this paper aims at discussing the image of women and their views on marriage. Jane Austen, with her advanced feminine consciousness, depicts the daily life of English squires at the end of the eighteenth century and the beginning of the nineteenth century. As women in the new era, we can still get enlightenment from the female thought conveyed in this classic novel Key Words: Pride and Prejudice;Female image;Marriage View 目 录 TOC \o 1-3 \h \z \u 摘 要 I Abstract II 引 言 1 一、伊丽莎白 2 （一）独特的性格魅力 2 （二）不屈服于世俗的婚姻观 2 二、简·贝内特 3 （一）接近于完美的女性形象 3 （二）被动却也坚毅的婚姻观 3 三、夏洛特·卢卡斯 5 （一）聪明且有主见的人物形象 5 （二）积极主动且现实的婚姻观