中国皮影(双语)Shadow puppets(下).ppt

（五）皮影在世界 From the 13th to the 15th centuries, Chinese shadow puppets was introduced to Indonesia, Malaysia and other islands in Southeast Asia, and then it moved west, concurrently with the expedition of the Mongolian army, to Persian in central Asia, Turkey in west Asia and Egypt in northern Africa. 13世纪和15世纪，中国皮影先后传到印尼、马来西亚等东南亚国家； 13世纪以后随蒙古大军西征传入中亚的波斯（伊朗）、西亚的土耳其和北非的埃及。 From the 17th century, Western Catholic missionaries took it to Italy, Germany and France. 17世纪以后，西方天主教传教 士把中国皮影带到了意大利、 德国和法国。 Shadow puppetIn Indonesia Shadow puppet In IndiaKillekyata；Killikets Shadow puppet In ThailandNang Yai; Nang Talung  Shadow puppet In France Ombres fran?aises （六）皮影戏的演出 tables and chairs 桌椅道具 vehicles and horses 车马坐骑 general’s tent 帅帐 carriage and boat 轿船 palace and chambers  the background stage arrangement for the sky the background stage arrangement for the earth the background stage arrangement for the water With these costumes, they could put on some 100-200 different shows. The screen Traditional screen is a wooden frame about one meter high by two meters wide, covered over with white sheet. 传统屏幕一般是用一米高、两米宽或更大的木框，蒙上白布作成布框，It is called the “shadow window” or the “bright spot” by the folks. 俗称“影窗子”或“亮子”。 With oil lamps hanging over the screen box, actors and actress manipulate the post of puppets against the cloth screen window, singing along to the music accompaniment. 屏幕内吊上油灯，操纵皮影的撑杆艺人在唱腔和乐器伴奏之下，在屏幕内操纵影人 Based on geographical localities, each place has its own unique style and characteristics in shadow puppets’ design, music and instrument. 各地皮影的造型和唱腔、器乐均有其鲜明的不同地域的风格流派。 Let’s enjoy it * Wayang Kulit 魔王拉瓦那与神猴哈奴曼 等 In Turkey Karag?z and Hacivat Shadow show actors are still involved in field work. 皮影戏艺人一般不脱离农业生产， They travel around the neighboring villages when field work is idle, carrying costumes on their shoulders, or on donkey backs, to set up temporary stages. 农闲时肩背、驴驮或车载影箱到各村镇，临时搭台撑开屏幕演出。 Depending on the role, one figur