(已阅)论文影像背后的罪与罚选编.doc

摘 要 作为非常有个人风格的电影导演，大卫·芬奇被誉为奥斯卡的无冕之王，在好莱坞乃至全世界，他的电影都独具特色，尤其是其电影的黑色风，堪称电影拍摄的教科书。 本文重点从镜头语言和文本内涵两个层面出发，研究大卫·芬奇电影作品的黑色风格。分析了大卫·芬奇黑色电影的类型化特点，总结其电影的风格特点与风格流变及突破。探究电影镜头语言运用与文本内涵，将技术与内涵、形式与内容、表现手段与最终效果自然的结合起来研究电影镜头表现手法。从电影美学的层面分析电影的镜头运动，涉及电影拍摄专业技术的运用，以及研究电影文本内涵的多重意蕴，较为全面地认识大卫·芬奇电影的风格特质及内涵。本文通过对大卫·芬奇电影的风格分析，力图总结出相应的理论依据，并将这些理论与中国的类型电影创作实践紧密地结合起来，这对当下中国电影人的电影创作和实践具有最基本的意义。 关键词:大卫·芬奇；黑色电影；镜头语言；文本意蕴  Abstract As a very personal style of the film director, David Fincher is known for the crowned king Oscar, in Hollywood and around the world, his films are unique, especially the film black wind, called the film was shot in the textbooks. His film is rich in content, skillful, information content. But from the perspective of the film noir the basic elements of David Fincher film of the research, this paper starting from the following two aspects: the lens language and text content, of David Fincher film black style. The stylistic features of David Finch black film are analyzed, and the style characteristics and breakthrough of the film are summarized. Inquiry uses film scene language and text connotation, technology and content, form and content, means and final effect of nature combined to study film lens performance practices, including perspective, composition, scheduling, color, light and shadow, editing, audio and other constitute the most basic elements of the film. From film aesthetics level analysis of the film camera movements involving filming the use of professional technology, and research the connotation of film text multiple meanings, and comprises a theme, character image, plot, point of view, such as to constitute the basic elements of film text, the more comprehensive understanding David Fincher movie style characteristics and connotation. In this paper, through the analysis of the David Fincher movie style, tries hard to summarize corresponding theoretical basis and closely combine these theories and the type of film creation practice, which on the c